As International Pop Overthrow Liverpool comes to an end for another year (expect a bumper post soon with photos and videos) I want to take a little time here to thank David Bash. International Pop Overthrow is his baby and sixteen years ago with the help of Jean Catharell he brought it over to Liverpool. Jean also recruited me as one of the merch girls, a role I had for a few years till it got a bit much for me and I became a punter instead. (Thank you Jean!)
May has become a magical time for me due to the amazing life-long friendships I have gained over the years. (The first two Liverpool events were later in the year, it moved to May for the third event.) And each year I gain more.
So thank you David, and Rina too, for all these years of friendship and the people and music you have brought into my life.
One of the reasons I love the IPO festival is that it means that over the years I have met some lovely people. Micah is one of those lovely people.
Here he is with his band at the Cavern Club on Wednesday.
Sadly I couldn’t stay for the second show.
I picked up a copy of the latest CD so once the event is over you can expect a review.
It had been a while since I’d seen Robyn Hitchcock, (I missed the last tour for logistical reasons) so I was looking forward to this “electrospective” as it has been referred to on social media.
A couple of pints of Trooper before the show meant I was less anxious and happy to wander down towards the front for most of the show, I was even dancing and singing along to the Soft Boys songs.
The set list was excellent – a good mixture of the past and tracks from the newest album. His LA Squires are a cracking band with a big sound. It sounded as full at the back (where I spent the encore) as it did a few feet from the front. Side note for those wondering, yes, that’s Mark Sheppard from Supernatural/Leverage/Firefly and a plethora of other TV shows doing a fine job on the drums)
Robyn himself was on top form, sounding brilliant. The gig delivered big time, after a stressful week it blew away all the cobwebs and simply bought the joy!
Day one of International Pop Overthrow Liverpool. I am starting slowly as I am working during the day and attending the event in the evening. Had this not been the case I would have stayed out for the second set by this band.
Erin Black has an amazing voice, the videos below do not do the band justice. It was late 60s psychedelic soul in sound, feel and style. I’ll be adding links to this entry when I have more time, call back and check them out! (Or look them up if you can’t wait!) I will be investigating them further!
I confess this review is being published later than I planned, partly due to real life getting in the way but mostly due to being distracted by wanting to just listen to the album for pure enjoyment rather than working out what to say about it. In fact the album has been an almost constant companion on my commute to and from work, cheering up the rainy journeys.
If you like 60s garage psych and theremins this is the album for you. Actually it will also make you realise that the flute is a vastly under-rated and under-used instrument on records these days, and there should jolly well be more of it.
It is quite hard to come up with “highlights” of this album as from the first note of the catchy opener “Make A New Day” with it’s simmering Indian music undercurrents through to the last note of “Alchemy C’mere” each of the tracks blend their individual traits into one gestalt of an album. That’s not something you get too often these days. It feels whole, like Pet Sounds or Forever Changes, not just a selection of tracks put in a pleasing order.
After the very first play I have found myself idly humming “Soft Rock Girlfriend” and “At Every Train Stop”, with other tracks also invading my brain along the way. By the second play, they all felt like old friends.
I am honestly trying not to sound too gushing about the album but it genuinely brightens my day and now the rain is getting less and the sunny days are coming through it will definitely be my summer soundtrack.
And in the meantime here’s a live version of one of the tracks – A theremin cover of Goldfinger filmed at the International Pop Overthrow event at the Cavern Club Liverpool in 2014. (It was filmed on my phone so the recording isn’t top quality.)